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The Subway Test

~ Joe Pitkin's stories, queries, and quibbles regarding the human, the inhuman, the humanesque.

The Subway Test

Monthly Archives: November 2015

Whence The Subway Test

27 Friday Nov 2015

Posted by Joe Pitkin in Musings and ponderation

≈ 1 Comment

Tags

fantasy, monsters, mythopoesis, Neanderthals, sci-fi

The Subway Test is the name of this blog. I didn’t feel right calling it JoePitkin.com or anything else with my name in it. When I was cooking up the soup bones of the blog, I stirred through different ideas in my stories for a blog name. The Subway Test seemed like a decent provisional name, and the longer I post here the better the name feels.

But what does it mean? It comes from one of my favorite stories, an early one called “So-Sz,” which explores the musings of Sasquatch after he has learned to read and write by studying the encyclopedia. The narrator references “the subway test,” which I read about 20 years ago in Scientific American, as a thought experiment about how much like modern Homo sapiens were the Neanderthal. Take a Neanderthal man, dress him in a three-piece suit, give him a briefcase and a haircut, and put him on the subway. Will anyone notice that he is not like the others? If not, then he has passed the subway test.

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Photo Credit: Matt Celeskey

(As an aside, this article and the concept of the subway test came out long before Svante Pääbo’s work showing that all Eurasians carry a significant number of Neanderthal genes. I suspect Neanderthal would pass the subway test because a lot of people on the subway are at least part Neanderthal themselves.)

Anyway, the idea appealed to me because, as I’ve said before, the function of all art is to explain to ourselves what it means to be a human being. One of the things I most love about science fiction and fantasy is that these genres spend a lot of time working with creatures that are clearly non-human, as well as creatures that are almost human, half human, or human only on first inspection. Scratch the surface, and many sci fi characters are actually gods or demons or monsters of some kind.

But, scratch the surface a little further and you will find that those gods, demons, aliens, dragons, sentient planets, etc. are really humans in alien masks, like the characters of an ancient Greek play. As Stanislaw Lem says in his amazing novel Solaris, “We have no need of other worlds. We need mirrors. We don’t know what to do with other worlds. A single world, our own, suffices us; but we can’t accept it for what it is.” All that traveling, all those robots sent sojourning across the cosmos, all that scanning of distant stars for Dyson Spheres: all we are really looking for is a mirror. Put on a suit and board the subway. Will anyone notice who you really are?

Anthologies to Watch For

23 Monday Nov 2015

Posted by Joe Pitkin in My Fiction

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Tags

anthology!, marketing, sci-fi

I may be having trouble getting my new work picked up for publication, but I got news yesterday that my already-published work will be coming out in two different anthologies. Gardner Dozois has decided to pick up “The Daughters of John Demetrius” for The Year’s Best Science Fiction #33, and Tom Dooley will be using “Better than Google” in Eclectica Magazine’s 20th anniversary speculative fiction anthology. Seriously, there’s an online magazine celebrating its 20th anniversary next year.

I’ll post more particulars as the dates approach–thanks for reading!

Who Is John Demetrius?

21 Saturday Nov 2015

Posted by Joe Pitkin in My Fiction, Stories

≈ 2 Comments

Tags

dystopia, John Demetrius, monsters, mythopoesis, sci-fi, utopia

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Photo Credit: Tina Negus

The last thing I had published–the last thing I’ve had published in a very long time, it feels like to me–is a story called “The Daughters of John Demetrius” in the October issue of Analog. (I know that October was only a month ago, but I usually date my publications by the date an editor accepts them, rather than when the story actually appears in print, and I haven’t had anything accepted for publication since April). I was trying something new with this story, working to reduce the infodump and the throat-clearing that I think can be a weakness of my work. So, while there’s quite a backstory to the characters and the setting (near-future northern Mexico), I deliberately left a lot unsaid or only hinted at.

And, while quite a few people seem to like the story, the reviews I’ve gotten often complain of the backstory and setting being not fleshed out enough. As Greg Hullender at Rocket Stack Rank charitably puts it, “There seems to be a well-developed world behind this little story, and it definitely leaves you wanting to know more about it.”

I feel a bit as though I failed to hit the sweet spot with this story–while reminding myself, as always, that no story is to everybody’s taste. But Hullender and other reviewers are right: there is a world behind the story. Last month’s Analog piece is one of four stories I’ve written that I refer to as “John Demetrius Stories.” They don’t fit into a single narrative–I’m not planning to make them into a single narrative, anyway–and the first two I wrote are not intended for publication, but I do think that I have a story cycle growing in my mind that centers around the character of John Demetrius.

Who is John Demetrius? Well, I’m not entirely sure myself. The character came to me after the death of my brother Dave, and I  wrote the first story with the idea of John Demetrius as a loose fictionalization of my brother. The loose fictionalization has gotten looser and looser over time, to the point that John Demetrius is my brother as he might visit me in dreams today.

I will say this: John Demetrius was a brilliant genetic engineer from a few generations before the story cycle takes place. He experimented on his own genome, he became an utter pacifist, and he wandered out of America into the south, siring children and coming to be regarded after his disappearance as some kind of spiritual master. He is, for the characters in the stories, a legendary figure whose real identity has been obscured by years of cultural accretions and appropriations of his name for all kinds of political purposes. Mythologically, he’s a reworking of the Green Man myth, a cousin of Tom Bombadil and Osiris and Jesus.

And that’s all I will say. “The Daughters of John Demetrius” is available in October’s Analog. I have another John Demetrius story, “Proteus,” which I hope to refine as soon as the current draft of Pacifica is finished. I have more ideas after that. If I can get a few of them published, I might even try to stitch them together into a single cycle: The John Demetrius Stories.

The Pacifica Process

14 Saturday Nov 2015

Posted by Joe Pitkin in Uncategorized

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Tags

NaNoWriMo, volcanoes, writing practice

I’ve always regarded NaNoWriMo participants with a mixture of admiration and skepticism: I love the can-do spirit of the movement, but I’m also curious about what kinds of novels come out of the experience. I remember when I was first considering NaNoWriMo for myself, I read an article by founder Chris Baty that “Slow writers find they can write about 800 words of novel per hour; a speedy writer (and good typist) can easily do twice that.” I knew then that I was not the droid Chris Baty was looking for.

Whatever the merits of NaNoWriMo, someone writing 800 words per hour is not a slow writer in my book. When I was writing Stranger Bird, I rarely wrote faster than 250 words per hour, I would guess–and that was on days that I was focused and serious. And that worked for me–Stranger Bird turned out well, I think, and while it may never get picked up for publication, it’s not a badly written novel at all.

mt lassen volcano

So why do I even care how fast Chris Baty thinks a slow writer can write? Well, for a number of reasons, I don’t have the luxury of writing time that I had when I was working on Stranger Bird: long empty summer months when writing a novel was really the only thing I was doing. One of the main reasons I turned to writing short fiction since then has been that a slowpoke like me can cobble a good story together with the dribs and drabs of time that are available to me: a half hour here, a few minutes before bed there, maybe a couple of uninterrupted hours on the weekend.

Pacifica is the working title of my second novel. Often I’ve felt foolish for taking a run at it: I feel so starved for time on most days that I’ve no idea how the whole draft will come together. As I work on it, I have to calm myself down daily, get clear with myself that this draft will be sloppy, come to accept that it will be full of dead ends and plot holes. All first drafts are loose, but I am consciously giving myself permission to write something truly horrible in the rough draft, in the hopes that somewhere in the slop of it there will be a story I can draw out. Otherwise the book will never come together; I just don’t have the time to write a tighter rough draft. This isn’t a NaNoWriMo project–I’ve been working on this draft since July and have at least another month or two to go–but I feel as though I’ve absorbed something of the NaNoWriMo ethic.

It’s been an uncomfortable process, almost painful some days. And it may turn out to be a flaming disaster of an experiment. But if anything good comes of it, it will be because I got over my control freakery long enough to allow 50,000 words to erupt on to the page.

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