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The Subway Test

~ Joe Pitkin's stories, queries, and quibbles regarding the human, the inhuman, the humanesque.

The Subway Test

Tag Archives: rock and roll

Playing Music In My Fifties (or Sixties or Seventies)

13 Sunday Sep 2026

Posted by Joe in Musings and ponderation

≈ 10 Comments

Tags

aging rockers, life, music, reviews, rock, rock and roll, threejays, writing

Some of you know I’ve played in a lot of bands from the time I was 14 years old. More accurately, I guess, I played in a lot of bands from the age of 14 to 21, then took a nine year break, then played in basically one band since then. This one band that I’ve been in since 2001 has had a couple of name changes (from Los Profes to The Gravitropes to, now, threejays), and there was one major change in lineup when Dennis, one of the most skilled guitarists I’ve ever been allowed to play with, stepped away to tend to his tinnitus. But in most other ways it’s basically been the same band.

As the three remaining members of the band age–I’m 56 years old, and John and Jeff are in their early seventies–it feels like more and more of a mystical journey for us to play a gig. So I was touched and enthused when my friends Tanya, David, and Tyler hosted a threejays party at their house. They have an unforgettable, beautifully designed common space they converted from an old garage, and it had been a year since threejays had played out anywhere.

I did my best to celebrate the occasion by wearing the green jumpsuit I bought this summer. As my wife might say, there’s no being shy when you’re wearing a Big Bud Press jumpsuit.

Photo credit: Carlyn Eames

We were loud enough that practically all of the partygoers–and we had a sweet turnout–listened to us from the porch outside the Taj Garage. Nonetheless, I thought we sounded pretty good. Jeff and John are remarkable musicians, and I did some serious woodshedding over the last weeks to hold up my end of things. We sounded, at least, like we’d practiced these original songs every week since 2021, which was indeed the case.

threejays through the window–photo credit Robert Hughes

Probably my favorite photo of the night is the one below: my friend Damian (a wonderful fellow bassist, by the way) was obsessed by how much love this old Fender Precision has gotten, as evidenced by the wear patterns.

The bass is Jeff’s, but I’ve been playing on it for 25 years. Photo credit: Damian Lynch

I would have liked to record the whole show, but it was beyond me to get that set up. A number of friends took little videos, though–this was one of the best of them. The song is one I wrote many years ago, “The Girl With the Artichoke Heart.”

Video credit: David Tovey

As a teacher, I’ve been dismayed over recent years at how few of my students play any kind of musical instrument. I tell them the truth: it’s not that hard to learn to play a few chords on the guitar, and if you know a few chords, there are 10,000 different songs you can play. If you can get good at playing a few songs–maybe a half dozen, say–people will invite you to their parties and you can make music with your friends. There are very few things in life that have brought me more joy than that.

My lovely wife, Carlyn, in her awesome party dress. Photo credit: David Tovey

Writing Songs Again

29 Saturday Jun 2024

Posted by Joe in A Place for my Stuff, Musings and ponderation

≈ 10 Comments

Tags

creative writing, rock and roll, songwriting, that strumpet Fame

I used to write songs all the time. In fact, songwriting was the first literary genre I took seriously as writing for writing’s sake (as opposed to strings of words on paper that I would turn in for a grade at school like a monkey doing a trick for a banana with a big “A+” drawn on the peel. Or a banana with a “B-” on it–those bananas worked fine for me, too).

Back when I was a skinny, shaggy young slacker, I wrote songs for the first band I was in, The Missionaries. Then I wrote a lot more songs for the bands that followed (Leatherbound Shakespeares, The Ben Was, Hop on Pop). None of those songs were any good–seriously, the best thing about those bands (besides how amazing our hair was back then) were the band names. But the songs themselves? In retrospect, I can see that they were very early artistic efforts, much more earnest than skillful.

The artist earnestly trying on some kind of Roger Daltrey vibe, 1986 (?)

Come to think of it, though, I do believe a couple of songs I wrote for that last youthful band, Hop on Pop, were actually pretty good. I remember feeling proud of them when I was 20 years old because they were so far beyond anything I had written previously. In fact, I’d give a lot to hear those songs again, not the way I would play them today, but as we played them over thirty years ago, feeling brash and flip and like we were going to be whisked off at any minute to an as-yet-undetermined big city to become rock stars.

I’ve been playing music on and off (mostly off) since then, mostly for a band where I am the youngest and least technically adept player. This band has gone by a few names as well: Los Profes, then the Gravitropes, and now we’re trying on the name threejays (what do you think, dear reader? Should it be capitalized? All lower case? ALL UPPER CASE?!) In any case, the one thing I brought to the group historically–besides relative youth–is half-decent songwriting ability.

So it was with a little leap of inner joy when I found myself writing a song a couple of weeks ago–the first one I have written in at least 12 years or so. Will it be any good? Hard to say. As I tell my creative writing students all the time, you’ll write a lot of crappy poems (or stories, or songs) before you write a single good one. And then you’ll write a lot more crap before you start writing good stuff with any regularity. And no one I know writes good stuff all the time. So the odds are stacked against this song (with the working title “Necktie Rhetoric”) being a good one. But it feels great to come back to a genre I haven’t tried in a long time. Whoever you are out there, and whatever you do, I wish for you to feel the freedom to make something useless exactly the way you want to make it.

The artist declaiming…something…over a pleasant drone of guitars, 1991

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